<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Liebe Leute,</div><div><br></div><div>hier ein Hinweis auf das aktuelle Programm von Kinokis Mikrokino am 15. März im Depot, </div><div>sowie eine Vorschau auf das kommende Programm von April bis Juni.</div><div><br></div><div>Herzliche Grüße + remember:</div><div>revolution will not be televised</div><div><br></div><div><br></div><div><font class="Apple-style-span" face="Arial"><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px; ">***</span></font></div><div><span class="Apple-style-span" style="color: rgb(255, 0, 0); font-family: Georgia, Times, serif; font-size: 14px; "><b><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-weight: normal; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font></span></b></span></div><div><span class="Apple-style-span" style="color: rgb(255, 0, 0); font-family: Georgia, Times, serif; font-size: 14px; "><b><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-weight: normal; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">kinokis mikrokino #190</span></font></font></span></b></span></div><div><span style="font-family: Georgia, Times, serif; font-size: 14px; color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">Donnerstag 15. März, 19:00 Uhr<br></span></font></font><b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "> </span></font></font></b></span><font class="Apple-style-span" face="Arial" style="font-family: Georgia, Times, serif; font-size: 14px; "><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font><span style="font-family: Georgia, Times, serif; font-size: 14px; color: black; "><b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">DIE UNSICHTBARE HAND DES MARKTES</span></font></font></b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br> </span></font></font></span><font class="Apple-style-span" face="Arial" style="font-family: Georgia, Times, serif; font-size: 14px; "><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font><span style="font-family: Georgia, Times, serif; font-size: 14px; color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">In der gegenwärtigen Finanzkrise wird täglich erneut das „Vertrauen der Märkte“ beschworen und der Politik scheint </span></font></font></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">es längst selbstverständlich, alles zu unternehmen, um die „Märkte“ zufrieden zu stellen. Aber woraus bestehen </span></font></font></span></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">diese Märkte, wer sind ihre Akteure und wie funktionieren sie? <br></span></font></font><b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "> </span></font></font></b></span><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font><span style="color: black; "><b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">The Corporation</span></font></font></b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "> </span></font></font></span><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">R: M. Achbar und J. Abbott, Can. 2003, 144min. englisch<br>Die Dokumentation untersucht Aufstieg und Funktion von Kapitalgesellschaften als einer der beherrschenden Institutionen </span></font></font></span></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">unserer Zeit. In zahlreichen Interviews mit CEO‘s und ihren KritikerInnen (z.B.: Noam Chomsky, Naomi Klein, Howard Zinn </span></font></font></span></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">und Vandana Shiva) wird das Psychogramm transnationaler Konzerne entworfen. Das Wirtschaftsmagazin The Economist </span></font></font></span></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">urteilte über den Film: „The Corporation ist ein überraschend rationaler und intelligenter Angriff auf die wichtigste Institution des Kapitalismus.“</span></font></font></span></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><span style="color: black; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font></span><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">Anschließend Gespräch mit CEO und Netzwerkanalytiker </span></font></font><b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">Harald Katzmair</span></font></font></b><font class="Apple-style-span" face="'Times New Roman'"><br></font></span></div><div><span class="Apple-style-span" style="font-family: Georgia, Times, serif; font-size: 14px; "><b><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "><br></span></font></font></b></span></div><div><br></div><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">***</div></div><div><br></div><div><div><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">kinokis mikrokino #190</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Donnerstag 19.April 2012, 19:00 Uhr</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b>DER TÜRKISCHE TOD UND DAS KURDISCHE MÄDCHEN</b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">2011 hat Erdogan die Schraube der Repression gegen die kurdische Opposition angezogen.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Über 5000 Menschen sitzen wegen ihrer politischen Gesinnung in türkischen Gefängnissen. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Die Türkei ist das Land, in dem weltweit die meisten JournalistInnen wegen unliebsamer Berichterstattung</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">inhaftiert sind. Je mehr sich die Spielräume für legale politische Arbeit schließen, </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">umso mehr junge Leute schließen sich der Guerillabewegung an, die seit 1984</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">gegen den türkischen Staat kämpft und 1993 eine eigene Frauenarmee gegründet hat.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b>Guerilleros in den kurdischen Bergen</b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; ">R: Stefano Savona, 2006, 80 min, OmdtU</span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; ">Eine Gruppe junger Guerillero/as durchquert Kurdistan auf dem Weg zu ihrem Einsatz</span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; ">in der Türkei. Dabei besuchen sie die Frauenakademie, </span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; ">in der auch Männer geschlechtspolitisch geschult werden.</span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><br></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b>Bêrîtan</b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; ">R: Halil Uysal (Halil Dağ)</span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; ">D.: Beritan Dersim, Jinda Baran, Ömer Harran, Mehmet Emin, Dersim Zerevan, uva.</span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; ">2006, 150 min, OmdtU</span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><br></span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; ">Ein in den kämpfenden Einheiten entstandener Spielfilm über die als Märtyrerin verehrte </span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; ">Kommandantin Gülnaz Karatas, Guerillaname Beritan, die sich 1992 im Bruderkrieg zwischen</span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; "><b><span class="Apple-style-span" style="font-weight: normal; ">irakischen und türkischen KurdInnen von einem Felsen stürzte, um nicht den Feinden in die Hände zu fallen.</span></b></span></b></span></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b><br></b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Nach dem ersten Film Diskussion mit kurdischen AktivistInnen</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-size: medium; "><font class="Apple-style-span" color="#003366" face="Arial, Helvetica, sans-serif"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-size: small; "><br></span></font></span></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">***</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">kinokis mikrokino #191</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Donnerstag 3. Mai 2012, 19:00 Uhr</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b>VON BULLEN UND BÄREN</b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Da der Finanzmarkt Rezensionen fürchtet, wie der Teufel das Weihwasser, ziehen es Banker vor, in solchen Fällen von Bären-Märkten zu sprechen. Kursgewinne heißen dementsprechend Bullen-Märkte. An diesem Abend werden unterschiedliche Finanzmechanismen anhand von zwei Video-Arbeiten von Oliver Ressler untersucht. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b>The Bull laid Bear</b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">R: Zanny Begg und Oliver Ressler, 2012, 24 min.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Der Film macht sich über einige Rechtfertigungen für Bankenrettungen und Sparpakete lustig und untersucht, wie es Regierungen in den Vereinigten Staaten und anderen Staaten wie Irland gelang, eine Bankenkrise in eine Haushaltskrise zu transformieren. „The Bull Laid Bear“ hinterfragt unseren kollektiven Glauben an die Finanzmärkte und beschäftigt sich mit der zunehmenden wirtschaftlichen Krise in Europa.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; "><b>Socialism Failed, Capitalism is Bankrupt, What comes Next?</b></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">R: Oliver Ressler, 2010, 19 min.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Arial; ">Im Bazar „Bangladesh“ in Jerewan, der Hauptstadt von Armenien, versuchen täglich mehr als 1000 Personen als HändlerInnen ihr Überleben zu meistern. Im Film erzählen die Kaufleute von ihrem Kampf ums Überleben in der Krise eines post-sozialistischen Staates, in dem der Großteil aller Fabriken geschlossen und das soziale Sicherheitsnetz aufgelöst wurde.<span style="font: normal normal normal 12px/normal Helvetica; "> </span></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Anschließend Diskussion mit Oliver Ressler.</div><br><div>***</div></div><div><br></div><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">kinokis mikrokino #192</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">Montag, 4.Juni 2012, 19:00 Uhr</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div></div><div><b>EINE FRAU-EIN JAHRHUNDERT</b></div><div><br></div><div><span class="Apple-style-span" style="font-size: 12px; "><b>One woman-One century <font class="Apple-style-span" face="Arial"><span class="Apple-style-span" style="font-weight: normal; ">(</span></font></b></span><span class="Apple-style-span" style="color: rgb(34, 34, 34); line-height: 16px; "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">Jedna </span></font></font><span style="color: rgb(0, 0, 0); "><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; ">žena</span></font></font></span><font class="Apple-style-span" face="Arial"><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 12px; "> - jedan vek)</span></font></font></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; "><span class="Apple-style-span" style="font-family: Helvetica; ">R: </span></span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Želimir </span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Žilnik, 2011, 110 min, OmenglUT</span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; "><br></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Želimir </span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Žilniks neuester Dokumentarfilm begleitet die hundertjährig</span><font class="Apple-style-span" face="Arial" size="3"><span class="Apple-style-span" style="font-size: 12px; ">e </span></font><span class="Apple-style-span" style="line-height: 15px; "><font class="Apple-style-span" face="Arial" size="3"><span class="Apple-style-span" style="font-size: 12px; ">Dragica Vitolović Srzentić</span></font></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">auf einer Reise nach Moskau, wo sie 1948 Stalin die diplomatische Note überbracht hatte, </span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">mit der Tito die </span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Unterwerfung unters sowjetische Kommando verweigerte.</span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Die Zeitzeugin, die als Partisanin gegen die Nazis gekämpft hatte, </span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">aber in den 50ziger Jahren als </span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Dissidentin in Haft saß, </span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; "></span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">läßt ein Jahrhundert jugoslawischer Geschichte Revue passieren. </span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; "><br></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Anschließend Diskussion mit </span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Želimir </span><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; ">Žilnik.</span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: 12px; "><br></span></div></div><div><span class="Apple-style-span" style="font-size: 12px; ">***</span></div>
<br><div>kinoki<br><a href="mailto:mikrokino@kinoki.at">mikrokino@kinoki.at</a><br><a href="http://www.kinoki.at">http://www.kinoki.at</a></div></body></html>